Solutions Manual for The Musicians Guide to Aural Skills 1st Edition by Phillips

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Complete downloadable Solutions Manual for The Musicians Guide to Aural Skills 1st Edition by Phillips. INSTRUCTOR RESOURCE INFORMATION
TITLE: The Musicians Guide to Aural Skills
RESOURCE:Solutions Manual
EDITION: 1st Edition
AUTHOR: Phillips, Clendinning, Marvin
PUBLISHER: PB0
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Complete downloadable Solutions Manual for The Musicians Guide to Aural Skills 1st Edition by Phillips. INSTRUCTOR RESOURCE INFORMATION
TITLE: The Musicians Guide to Aural Skills
RESOURCE:Solutions Manual
EDITION: 1st Edition
AUTHOR: Phillips, Clendinning, Marvin
PUBLISHER: PB0

Table of content

Ch. 1 – Pitch and Pitch Class
Ch. 2 – Simple Meters
Ch. 3 – Pitch Collections, Scales, and Major Keys
Ch. 4 – Compound Meters
Ch. 5 – Minor Keys and the Diatonic Modes
Ch. 6 – Intervals
Ch. 7 – Triads
Ch. 8 – Seventh Chords
Ch. 9 – Connecting Intervals in Note-to-Note Counterpoint
Ch. 10 – Melodic and Rhythmic Embellishment in Two-Voice Composition
Ch. 11 – Soprano and Bass Lines in Eighteenth-Century Style
Ch. 12 – The Basic Phrase in SATB Style
Ch. 13 – Dominant Sevenths, the Predominant Area, and Chorale Harmonization
Ch. 14 – Expanding the Tonic and Dominant Areas
Ch. 15 – Diatonic Harmonies and Root Progressions
Ch. 16 – Embellishing Tones in Four Voices
Ch. 17 – The vii o6, vii o7, vii o7, and Other Voice-Leading Chords
Ch. 18 – Phrase Structure and Motivic Analysis
Ch. 19 – Diatonic Sequences
Ch. 20 – Secondary Dominants and Leading-Tone Chords to V
Ch. 21 – Tonicizing Scale Degrees Other Than V
Ch. 22 – Modulation to Closely Related Keys
Ch. 23 – Binary and Ternary Forms
Ch. 24 – Invention, Fugue, and Other Contrapuntal Genres
Ch. 25 – Modal Mixture
Ch. 26 – The Neapolitan Sixth and Augmented-Sixth Chords
Ch. 27 – Vocal Forms
Ch. 28 – Popular Music
Ch. 29 – Chromatic Harmony and Voice-Leading
Ch. 30 – Chromatic Modulation
Ch. 31 – Variation and Rondo
Ch. 32 – Sonata and Related Forms
Ch. 33 – Modes, Scales, and Sets
Ch. 34 – Music Analysis with Sets
Ch. 35 – Sets and Set Classes
Ch. 36 – Ordered Segments and Serialism
Ch. 37 – Twelve-Tone Rows and the Row Matrix
Ch. 38 – New Ways to Organize Rhythm, Meter, and Duration
Ch. 39 – New Ways to Articulate Musical Form
Ch. 40 – Recent Trends
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